简介：In Visions of Space, Robert Hughes tackles the work and lives of three remarkable 20th-century architects: Antonio Gaudi, Albert Speer and Mies van der Rohe - whose work did so much to shape the modern world. Hughes looks at how each one used space in different ways to express our response, respectively, to the power of religion (Gaudi), the power of the State (Speer), and the power of the corporation (Mies van der Rohe).Albert Speer: Size MattersIn 1979 Robert Hughes met and interviewed Hitler's architect, Albert Speer, for his landmark series, Shock of the New. Speer died shortly afterwards.Twenty-three years later Hughes discovered the long lost tape of that unique conversation and was inspired to tr*el back to Germany to examine the legacy of a man who was, for a brief period, the most powerful architect in the world.Mies van der Rohe: Less is MoreThis episode features the German architect, Mies van der Rohe, who moved to America and discovered the face of the modern corporate city. In this highly personal account, Hughes follows in Mies' footsteps looking at how an architect who began his career * kitschy, Hansel and Gretel style houses with pointy roofs, little windows and squat floorplans transformed himself into the master of international moderni* - the architect of light and space.Mies is the father of the contemporary vogue for loft living - what he was building in the 1920s still looks futuristic now. Similarly, his New York masterpiece the Seagrams Building provided the blueprint for the modern office building - without Mies no major city on Earth would look as it does.But despite his undeniable impact there is something in Mies' work that Hughes finds shockingly neglectful of real human needs. This master builder could spend days working out how to turn a corner with a skilfully placed beam and totally ignore the legitimate wishes and desires of those who used his buildings.Antoni Gaudi: God's ArchitectRobert Hughes returns to Spain to explore the legacy of Antoni Gaudi, the last great cathedral builder of the 20th century.Gaudi was an intensely Catholic celibate who, despite his austere life, created some of the most sensuous buildings ever known. On his journey through Gaudi's life and work, Hughes (an ex-Catholic himself) explains how a man as religious and conservative as Gaudi could become such an innovative 20th-century giant.About Robert HughesRobert Hughes' perceptive views of the arts h*e led him to be one of the most esteemed and widely read art critics writing in English today. He has been awarded The Richard Dimbleby Award, by the Bafta for"the most important personal contribution to factual television" of 1996-97. He is the only art critic to h*e twice won America's most coveted award for art critici*, the Frank Jewett Mather Award. He has lived in Europe and America since 1964. He has never lost touch with his native country, in recognition of his services to Australian culture, he was elected an Officer in the Order of Australia (his country's highest civilian honor) in 1994.
番茄不卡网(www.xihsdy.com)为您提供综艺《视觉空间》剧情概述：In Visions of Space, Robert Hughes tackles the work and lives of three remarkable 20th-century architects: Antonio Gaudi, Albert Speer and Mies van der Rohe - whose work did so much to shape the modern world. Hughes looks at how each one used space in different ways to express our response, respectively, to the power of religion (Gaudi), the power of the State (Speer), and the power of the corporation (Mies van der Rohe).Albert Speer: Size MattersIn 1979 Robert Hughes met and interviewed Hitler's architect, Albert Speer, for his landmark series, Shock of the New. Speer died shortly afterwards.Twenty-three years later Hughes discovered the long lost tape of that unique conversation and was inspired to tr*el back to Germany to examine the legacy of a man who was, for a brief period, the most powerful architect in the world.Mies van der Rohe: Less is MoreThis episode features the German architect, Mies van der Rohe, who moved to America and discovered the face of the modern corporate city. In this highly personal account, Hughes follows in Mies' footsteps looking at how an architect who began his career * kitschy, Hansel and Gretel style houses with pointy roofs, little windows and squat floorplans transformed himself into the master of international moderni* - the architect of light and space.Mies is the father of the contemporary vogue for loft living - what he was building in the 1920s still looks futuristic now. Similarly, his New York masterpiece the Seagrams Building provided the blueprint for the modern office building - without Mies no major city on Earth would look as it does.But despite his undeniable impact there is something in Mies' work that Hughes finds shockingly neglectful of real human needs. This master builder could spend days working out how to turn a corner with a skilfully placed beam and totally ignore the legitimate wishes and desires of those who used his buildings.Antoni Gaudi: God's ArchitectRobert Hughes returns to Spain to explore the legacy of Antoni Gaudi, the last great cathedral builder of the 20th century.Gaudi was an intensely Catholic celibate who, despite his austere life, created some of the most sensuous buildings ever known. On his journey through Gaudi's life and work, Hughes (an ex-Catholic himself) explains how a man as religious and conservative as Gaudi could become such an innovative 20th-century giant.About Robert HughesRobert Hughes' perceptive views of the arts h*e led him to be one of the most esteemed and widely read art critics writing in English today. He has been awarded The Richard Dimbleby Award, by the Bafta for"the most important personal contribution to factual television" of 1996-97. He is the only art critic to h*e twice won America's most coveted award for art critici*, the Frank Jewett Mather Award. He has lived in Europe and America since 1964. He has never lost touch with his native country, in recognition of his services to Australian culture, he was elected an Officer in the Order of Australia (his country's highest civilian honor) in 1994.展开
