简介：Nel Regno di Napoli, Schroeter*s own voyage to Italy, has the appearance of something much more straightforward, hewing closely to a postwar timeline (actually marked and measured by emblematic intertitle cut-ins announcing the year, acpanied by radio bulletin-like narration updating us on the historical/social/political context) as it tells the story of little Vittoria (played as an ** by Cristina Donadino), born to a poor family in a rough neighborhood of Naples at the end of the war, whose fate, as she grows from impoverished girlhood to *success* as an airline stewardess in the 1970s, provides our dramatic pass through a living, clear-eyed history book, enpassing a whole microco** of Neapolitan life in the turbulent, industrializing decades after the war: A brother, Massimo (Antonio Orlando) earnestly and diligently devoted to the promise of a better, fairer future for the oppressed workers held out by the Communist *; a pretty, naïve, ill-fated French prostitute; the Spanish War veteran who bees their local C.P. leader, and his wife, more pragmatic and lurking in the ideological gray area by buying rationed necessities on the ultra-capitalist black market; the turncoat bourgeois attorney who sells out his working-class neighbors for his tacky, impossible dreams of the good life; and the operatically evil heiress/factory boss lady (Ida Di Benedetto) whose clutches Massimo fights to neutralize, but whom Vittoria ultimately just wants to escape any ideologically-impure way she can.
番茄不卡网(www.xihsdy.com)为您提供电影《那不勒斯王国》剧情概述：Nel Regno di Napoli, Schroeter*s own voyage to Italy, has the appearance of something much more straightforward, hewing closely to a postwar timeline (actually marked and measured by emblematic intertitle cut-ins announcing the year, acpanied by radio bulletin-like narration updating us on the historical/social/political context) as it tells the story of little Vittoria (played as an ** by Cristina Donadino), born to a poor family in a rough neighborhood of Naples at the end of the war, whose fate, as she grows from impoverished girlhood to *success* as an airline stewardess in the 1970s, provides our dramatic pass through a living, clear-eyed history book, enpassing a whole microco** of Neapolitan life in the turbulent, industrializing decades after the war: A brother, Massimo (Antonio Orlando) earnestly and diligently devoted to the promise of a better, fairer future for the oppressed workers held out by the Communist *; a pretty, naïve, ill-fated French prostitute; the Spanish War veteran who bees their local C.P. leader, and his wife, more pragmatic and lurking in the ideological gray area by buying rationed necessities on the ultra-capitalist black market; the turncoat bourgeois attorney who sells out his working-class neighbors for his tacky, impossible dreams of the good life; and the operatically evil heiress/factory boss lady (Ida Di Benedetto) whose clutches Massimo fights to neutralize, but whom Vittoria ultimately just wants to escape any ideologically-impure way she can.展开
